Bollinger met her primary collaborator, John Trainum, while working on her cinematography degree at UVA.
Taking inspiration from her siblings’ musical projects, Bollinger began writing songs, and at 14, her brother Will helped her record one at home for the very first time.įrom there, Bollinger started gigging around Charlottesville and eventually won free studio time in a local songwriting competition, but put off studio recording until years later when she had a backing band in place. Feist soundtracked drives with dad, and Bollinger marvelled at the dexterity of those albums, the way they would move from a dance track to R&B to something spare and wholly unexpected. On the family’s CD rack it may have been possible to find pop icons of the early aughts stacked up against classics of her parents’ generations. In adolescence, Bollinger absorbed a spectrum of genres that came to influence her future songwriting. “I was shy when I was little and didn’t want a speaking role, I just wanted to sing and be on stage,” she recalls, laughing. Being a small part of an ensemble was freeing, and Bollinger went on to perform in local opera productions when she was still in elementary school. Bollinger’s mother, a music therapist, released a handful of children’s albums, and she welcomed her daughter into the accompanying choir. Memories of her childhood in Charlottesville evoke melodies emanating from the stereo and experimental sounds leaking out of the basement, where her two older brothers recorded with their bands. “Sometimes I write in a very specific way, but sometimes it is better to write only the skeleton.”įrom a young age, Bollinger turned to songwriting as a way of testing out ideas and stringing together words, perfecting them until they matched her intentions. “It is rare that my words represent my thoughts accurately and even in the instances where I feel that they do, I know that I can't be responsible for the hearing of those words or for the interpretation of them,” she explains. Because of this, her nuanced songwriting gives listeners a framework within which they can project their own experiences.
For Kate Bollinger, knowing how to articulate exactly what she means would take a seemingly unattainable level of communicational prowess.